Monday, April 18, 2022

The Magnificent Art Of Ancient Iran


📯👑📯A late Sasanian silver bowl with the Great King * SHAPUR * a banquet with musicians, late 6th  century

Description

Inner part of a two-piece bowl with high quality chasing work. The outer, smooth part, which covered the cavities created by chasing on the underside of the inner part, is not preserved. In the centre, the crowned Great King with beard and long curly hair, sitting with his feet folded underneath him on a throne flanked in front by rams. The crown with stepped circlet, the central pommel flanked by wings and fluttering bands at the sides. The pleating of the upper part of the robe and the trousers finely wrought, as well as the straps of the sandal on the left leg, positioned in front. The fabric over the hips with vertical decorative rows of circles, triangles and diamonds. Circular, decorative pieces with flowers on the shoulder. A chain draped crosswise over the chest, with a central medallion depicting a griffin. The left hand, bent downwards, holding the hilt of the sword lying horizontally over the left thigh. The right hand, bent upwards, holds a drinking bowl with spread fingers, into which a maidservant is pouring a drink with a jug. From the other side, a second maidservant approaches, serving a bird on a tray. In front of the throne, another tray with two boars' heads and, in front of this, a tray with a pyramid of round fruits or pastries.

Above the king, two winged female genii float with fluttering robes, each draped over one shoulder, with garlands in their hands. In the foreground, four female musicians, from left to right: a standing flute player, then, with legs folded under, a harpist, a lute player and a woman with a tambourine. The maidservants and musicians are all barefoot. Their robes and elaborate hairstyles with chignon on the crown of the head are painstakingly elaborated with numerous details. A rapport of heart-shaped leaves bordered by two incised lines in the margin.

Despite its strict stylisation, the composition appears decidedly animated. The well-proportioned bodies and the finely modelled faces of all the protagonists lend the scene a solemn atmosphere yet, at the same time, a sensual aura. A masterpiece of Sasanian silver toreutics with a rarely encountered complexity of the depicted motifs and the highest artistic quality. 

Dark, slightly spotty patina. Light incrustations and minimal traces of oxidation, especially on the chiselled edges of the figures. The interplay of these factors on the surface gives the object the charm of a dignified antiquity.

Diameter 38.3 cm. Height 7 cm. Weight 1935 g. Includes the results of an alloy analysis carried out by the Curt-Engelhorn-Zentrum Archäometrie, Mannheim by means of portable XRF.




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Bharatpur Bird Sanctuary: Where Water, Wings, and Time Meet Some places announce themselves with mountains or monuments. Bharatpur does not. It reveals itself slowly — in ripples of water, in the sudden lift of wings, in the quiet patience of a bird waiting for the right moment to strike. Located in eastern Rajasthan, Keoladeo Ghana National Park, popularly known as the Bharatpur Bird Sanctuary, is one of those rare landscapes where nature and history have grown together. It is not untouched wilderness, nor is it purely man-made. It exists in between — shaped by geography, altered by humans, and perfected by birds. A Land Shaped by Geography Before It Was Shaped by Humans Bharatpur lies at an ecological crossroads. To the west stretch the ancient Aravali ranges, among the oldest mountain systems in the world — worn down, rocky, dry, and quiet. To the east begin the fertile Gangetic plains, flatter and more water-abundant. Between these two regions lies a gentle depression in the land, where seasonal rivers like the Gambhir and Banganga once spread their monsoon waters. This region was never meant to hold deep water. Instead, it absorbed floods, released them slowly, and returned to grassland. That natural rhythm changed in the 18th century, when the rulers of Bharatpur constructed the Ajan Bund, an earthen dam built to protect nearby settlements from flooding. Unintentionally, a wetland was born. Water lingered longer than expected. Silt settled. Aquatic plants appeared. Fish followed. And soon after, birds began to arrive — first seasonally, then in vast numbers. From Royal Hunting Ground to Protected Sanctuary During the 19th and early 20th centuries, this wetland became a favored duck-shooting reserve for the Maharajas of Bharatpur and British officials. Ironically, this exclusive use prevented farming and urban expansion, allowing the habitat to survive while many other wetlands disappeared. The turning point came when Dr. Salim Ali, India’s pioneering ornithologist, recognized the extraordinary ecological value of the site. His advocacy transformed perceptions of the wetland — from a hunting ground to a sanctuary deserving protection. This led to a series of recognitions: Declared a Bird Sanctuary in 1976 Designated a Ramsar Wetland of International Importance Inscribed as a UNESCO World Heritage Site in 1985 What makes Bharatpur unique is that it proves conservation does not always begin with untouched nature — sometimes it begins with correcting our relationship with altered landscapes. A Wetland Designed by Water, Perfected by Birds Keoladeo Ghana is a shallow wetland, rarely deeper than one or two meters. This single feature explains much of its biodiversity. Shallow wetlands warm quickly, grow food rapidly, and create a variety of micro-habitats: Open water for ducks and geese Mudflats for waders and sandpipers Marshes and reed beds for nesting birds Wooded patches for roosting and breeding colonies The sanctuary is a mosaic rather than a uniform lake, and birds occupy it with remarkable precision. Every species seems to know exactly where it belongs. The Arrival of the Migrants Each winter, Bharatpur becomes a global meeting point. Birds arrive from Siberia, Central Asia, Europe, and the Tibetan plateau, following the Central Asian Flyway. Some travel thousands of kilometers, crossing deserts, seas, and the towering Himalayas. Bar-headed geese, famous for flying at extreme altitudes, descend gracefully onto the water. Northern shovelers and teals form floating carpets across the marshes. Painted storks and Asian open-billed storks feed methodically in the shallows. The elegant Sarus crane, India’s tallest flying bird, performs slow, ritualistic dances that seem untouched by time. Once, the sanctuary welcomed the Siberian crane — tall, white, and fragile. Their disappearance from Bharatpur is a quiet tragedy, reminding us that even the most faithful migrants cannot survive when wetlands vanish along their journey. The Aravali Connection: Dry Hills Supporting Wet Wings Though Bharatpur is a wetland, its story cannot be told without the Aravali range. The Aravalis may appear barren, but they regulate climate, slow desert winds, and feed seasonal water systems. Birds adapted to dry forests and scrublands — larks, pipits, bushchats, raptors — depend on wetlands like Bharatpur during migration, breeding, or drought periods. Thus, Bharatpur functions as a refuge ecosystem, supported by the broader Aravali landscape. Wetland and woodland, water and stone — both are necessary for regional biodiversity. More Than Birds: The Invisible Web of Life While birds are the most visible residents, the sanctuary’s foundation lies beneath the water. Fish recycle nutrients and sustain higher predators. Amphibians and reptiles control insect populations. Wetland plants purify water, trap carbon, and stabilize soil. Even microorganisms play their role quietly, maintaining balance. This unseen life is what allows the spectacular bird diversity to exist. A Wetland That Needs Care, Not Neglect Unlike untouched forests, Bharatpur survives through active management. Water must be released at the right time. Invasive plants must be controlled. Seasonal rhythms must be respected. Climate change, upstream water diversion, and declining rainfall pose new challenges. The sanctuary today is a lesson in modern conservation — showing that protection alone is not enough. Understanding ecological processes is equally vital. Why Bharatpur Matters Today In a country where wetlands are rapidly disappearing, Bharatpur stands as proof that: Man-made wetlands can support rich biodiversity Landscape-level conservation is essential Migratory birds connect continents, not just countries Water is the most powerful driver of life in dry regions Leaving Bharatpur When you leave the sanctuary, it does not follow you loudly. There are no dramatic cliffs or roaring rivers to remember. Instead, there is a quiet realization — that life persists not through force, but through balance. Bharatpur teaches patience. It teaches listening. And above all, it teaches that when water is allowed to stay, life will always return.

  Bharatpur Bird Sanctuary : Where Water, Wings, and Time Meet Some places announce themselves with mountains or monuments. Bharatpur does n...