Tuesday, April 19, 2022

Ancient Greek fact of day: the Goddess Eos




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Eos is the Ancient Greek goddess of the Dawn. She has close correlations to the Germanic deity ‘Ostara’ and the Celtic ‘Eostre’, both fertility goddesses from which Easter derived and are associated with a new beginning. In the Roman pantheon, Aurora is the Roman equivalent for the goddess of the dawn. 

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Whilst Eos is the personification of light and the start of a new day, she is also a tragic figure in myth. Fundamentally she represents all that is new and fresh. When she rose from bed every day, she dipped her rosy fingers in a cup filled with dew and sprinkled the drops on the flowers and trees, thus awakening all of nature. Her fingers would run across the sky to create the rustic hue of a new day. It is for this reason that the Greek poet Homer uses the recurring line “When Dawn rose, fresh rosy fingered...” within his epics when he talks of a new morning. 

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Eos has a distinct juxtaposition....her life was one of a tragedy as well as one that personified something new and hopeful. She fell in love with a mortal young prince called Tithonus but worried that his mortality would deprive them of eternal happiness, she begged Zeus to grant him eternal life. They were happy for many years but Eos had not asked Zeus for eternal youth for her handsome prince and over the years, Tithonus gradually grew older and more frail. He slowly began to shrink and shrivel with old age until he was nothing but a wizened old man. In her despair, Eos taking pity upon her husband and transformed him into a cicada, an insect not unlike a grasshopper. 

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In Ovid’s version, as told in his metamorphoses, Eos is a jealous goddess who falls in love with Cephalus an Aeolian prince whom she kidnaps from his wife Procis and makes him her lover. Cephalus though pines for Procis and Eos sends him back to her after placing seeds of doubt in his mind about her faithfulness towards him. Cephalus decides to test his wife to see if she is truly faithful and disguised as another man he attempts to seduce Procris. She falls for the seduction. When it is revealed that the man was Cephalus in disguise, she runs away in shame to join the goddess Artemis in the woods. She finally returns to reconcile with her husband and brings a gift of a spear that never misses. One day Cephalus is out hunting and Procris hears gossip that her husband is having another affair. She follows him and spies on him from a bush. Cephalus hearing rustling from within the foliage, hurls the spear believing it is an animal but has accidentally impaled his wife. Her dying words remind him of the jealousy and trickery of Eos and that he must never marry her. 

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Despite the tragedy and negativity surrounding Eos, she was a deity that was well loved by the Greeks and Romans for her ability to provide them with a new day and new start. 

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The image shows Eos and Tithonus, this was originally an Attic red figure kylix, Attributed to the Telephos Painter, 470-460 BC


The other image is the Roman equivalent, Aurora, goddess of the Dawn who was often represented using a chariot to usher in the sun and a new day.




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Bharatpur Bird Sanctuary: Where Water, Wings, and Time Meet Some places announce themselves with mountains or monuments. Bharatpur does not. It reveals itself slowly — in ripples of water, in the sudden lift of wings, in the quiet patience of a bird waiting for the right moment to strike. Located in eastern Rajasthan, Keoladeo Ghana National Park, popularly known as the Bharatpur Bird Sanctuary, is one of those rare landscapes where nature and history have grown together. It is not untouched wilderness, nor is it purely man-made. It exists in between — shaped by geography, altered by humans, and perfected by birds. A Land Shaped by Geography Before It Was Shaped by Humans Bharatpur lies at an ecological crossroads. To the west stretch the ancient Aravali ranges, among the oldest mountain systems in the world — worn down, rocky, dry, and quiet. To the east begin the fertile Gangetic plains, flatter and more water-abundant. Between these two regions lies a gentle depression in the land, where seasonal rivers like the Gambhir and Banganga once spread their monsoon waters. This region was never meant to hold deep water. Instead, it absorbed floods, released them slowly, and returned to grassland. That natural rhythm changed in the 18th century, when the rulers of Bharatpur constructed the Ajan Bund, an earthen dam built to protect nearby settlements from flooding. Unintentionally, a wetland was born. Water lingered longer than expected. Silt settled. Aquatic plants appeared. Fish followed. And soon after, birds began to arrive — first seasonally, then in vast numbers. From Royal Hunting Ground to Protected Sanctuary During the 19th and early 20th centuries, this wetland became a favored duck-shooting reserve for the Maharajas of Bharatpur and British officials. Ironically, this exclusive use prevented farming and urban expansion, allowing the habitat to survive while many other wetlands disappeared. The turning point came when Dr. Salim Ali, India’s pioneering ornithologist, recognized the extraordinary ecological value of the site. His advocacy transformed perceptions of the wetland — from a hunting ground to a sanctuary deserving protection. This led to a series of recognitions: Declared a Bird Sanctuary in 1976 Designated a Ramsar Wetland of International Importance Inscribed as a UNESCO World Heritage Site in 1985 What makes Bharatpur unique is that it proves conservation does not always begin with untouched nature — sometimes it begins with correcting our relationship with altered landscapes. A Wetland Designed by Water, Perfected by Birds Keoladeo Ghana is a shallow wetland, rarely deeper than one or two meters. This single feature explains much of its biodiversity. Shallow wetlands warm quickly, grow food rapidly, and create a variety of micro-habitats: Open water for ducks and geese Mudflats for waders and sandpipers Marshes and reed beds for nesting birds Wooded patches for roosting and breeding colonies The sanctuary is a mosaic rather than a uniform lake, and birds occupy it with remarkable precision. Every species seems to know exactly where it belongs. The Arrival of the Migrants Each winter, Bharatpur becomes a global meeting point. Birds arrive from Siberia, Central Asia, Europe, and the Tibetan plateau, following the Central Asian Flyway. Some travel thousands of kilometers, crossing deserts, seas, and the towering Himalayas. Bar-headed geese, famous for flying at extreme altitudes, descend gracefully onto the water. Northern shovelers and teals form floating carpets across the marshes. Painted storks and Asian open-billed storks feed methodically in the shallows. The elegant Sarus crane, India’s tallest flying bird, performs slow, ritualistic dances that seem untouched by time. Once, the sanctuary welcomed the Siberian crane — tall, white, and fragile. Their disappearance from Bharatpur is a quiet tragedy, reminding us that even the most faithful migrants cannot survive when wetlands vanish along their journey. The Aravali Connection: Dry Hills Supporting Wet Wings Though Bharatpur is a wetland, its story cannot be told without the Aravali range. The Aravalis may appear barren, but they regulate climate, slow desert winds, and feed seasonal water systems. Birds adapted to dry forests and scrublands — larks, pipits, bushchats, raptors — depend on wetlands like Bharatpur during migration, breeding, or drought periods. Thus, Bharatpur functions as a refuge ecosystem, supported by the broader Aravali landscape. Wetland and woodland, water and stone — both are necessary for regional biodiversity. More Than Birds: The Invisible Web of Life While birds are the most visible residents, the sanctuary’s foundation lies beneath the water. Fish recycle nutrients and sustain higher predators. Amphibians and reptiles control insect populations. Wetland plants purify water, trap carbon, and stabilize soil. Even microorganisms play their role quietly, maintaining balance. This unseen life is what allows the spectacular bird diversity to exist. A Wetland That Needs Care, Not Neglect Unlike untouched forests, Bharatpur survives through active management. Water must be released at the right time. Invasive plants must be controlled. Seasonal rhythms must be respected. Climate change, upstream water diversion, and declining rainfall pose new challenges. The sanctuary today is a lesson in modern conservation — showing that protection alone is not enough. Understanding ecological processes is equally vital. Why Bharatpur Matters Today In a country where wetlands are rapidly disappearing, Bharatpur stands as proof that: Man-made wetlands can support rich biodiversity Landscape-level conservation is essential Migratory birds connect continents, not just countries Water is the most powerful driver of life in dry regions Leaving Bharatpur When you leave the sanctuary, it does not follow you loudly. There are no dramatic cliffs or roaring rivers to remember. Instead, there is a quiet realization — that life persists not through force, but through balance. Bharatpur teaches patience. It teaches listening. And above all, it teaches that when water is allowed to stay, life will always return.

  Bharatpur Bird Sanctuary : Where Water, Wings, and Time Meet Some places announce themselves with mountains or monuments. Bharatpur does n...